He is taken by their appearance, and it seems that he has had this problem before, since he has "known them already. Prufrock is in a life or death situation, between heaven and hell.
The sense of time, time, time, presses upon the reader, and the repetition of the world in fact makes the reader more conscious of the passing of the minutes, rather than less. He could be anywhere, we are not told where he is. Eliot was a great believer in using both traditional and innovative poetic techniques and devices in his work and this poem reflects this belief.
This is why the poem is so significantly argued over: He seemed to represent thwarted desires and modern disillusionment.
Despite the fact that time is rushing in the last stanza, here time has slowed down; nothing has changed, nothing is quick. There is no way to distinguish between actual movement and imaginary movement. An astute reader might point out that his existence, as it is expressed in the poem, is not much different, but for one thing: And should I then presume?
Once more, there is the fragmentation of people, the idea that everyone but Prufrock is a ghostly reimagining, the only thing that he allows himself to think of, the only important thing to Prufrock.
The quotation that Eliot did choose comes from Dante also. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black.
This shifting, repetitive poem is a parody of a love song; it flows then stumbles and hesitates its way through the life of a middle aged male who can't decide where he stands in the world.
A Guide to the Selected Poems of T. The poem is set as a monologue, since the speaker refers to a listener in the opening line as "you: Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room.
While it also serves to remind the reader of the setting, this phrase stops the poem in mire. David Spurr wrote, on these lines in particular: Composition and publication history[ edit ] T.
Traces of Kipling appear in my own mature verse where no diligent scholarly sleuth has yet observed them, but which I am myself prepared to disclose.
His use of an epigraph heightens the reward and demonstrates that J. Ma perciocche giammai di questo fondo Non torno vivo alcun, s'i'odo il vero, Senza tema d'infamia ti rispondo.
Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? Alfred Prufrock" also shares many of the characteristics of modernism.
Dante faces the spirit of one hellbound Guido da Montefeltro, a false advisor, and the two trade questions and answers. Here, the subjects undergoing fragmentation and reassembly are mental focus and certain sets of imagery; in The Waste Land, it is modern culture that splinters; in the Four Quartets we find the fragments of attempted philosophical systems.
Prufrock is in a life or death situation, between heaven and hell. But who can blame him? Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: He is both ditherer and dreamer, a split personality who procrastinates, who is caught between fantasy and reality.
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Shall I part my hair behind?
The anonymous reviewer wrote: First, they are the utterances of a specific individual not the poet at a specific moment in time. I shall wear white flannel trousers, and walk upon the beach.
The initial reception to The Love Song of J. Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?
Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question… Oh, do not ask, "What is it?
For I have known them all already, known them all: I shall wear white flannel trousers, and walk upon the beach. Poems —, vide supra. The questions in the poem concern meaning in the face of mortality.A summary of “The Love Song of J. Alfred Prufrock” in T.
S. Eliot's Eliot’s Poetry. Learn exactly what happened in this chapter, scene, or section of Eliot’s Poetry and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. In The Love Song of J. Alfred Prufrock, T. S. Eliot reveals the thoughts and feelings of the poem’s subject, Prufrock, in a way that Prufrock could not have articulated himself, since it is the poem’s objective to illustrate Prufrock’s insecurity.
In poems like "The Waste Land," Eliot takes the time-honored principle of literary name-dropping to a whole new level. The poem has footnotes, for Pete’s sake!
"Prufrock" gives only a sample. "The Love Song of J. Alfred Prufrock" by T. S.
Eliot is one of most widely anthologized poems of the twentieth century. Upon reading the poem, this fact does not at all seem surprising. At first glance, the poem is extremely cryptic in its meaning and message. "The Love Song of J. Alfred Prufrock", commonly known as "Prufrock", is the first professionally published poem by American-born, British poet T.
S. Eliot (–). Eliot began writing "Prufrock" in Februaryand it was first published in the June issue of Poetry: A Magazine of Verse  at the instigation of Ezra Pound (–).Pages: 6 ( printing), 8 ( printing).
The Love Song of J. Alfred Prufrock Questions and Answers. The Question and Answer section for The Love Song of J. Alfred Prufrock is a great resource to ask questions, find answers, and discuss the novel.Download